Enjoy this encore blog posting which originally ran on September 27th, 2022. It features my visit to a wonderful and historic garden.
I love visiting gardens around the country and around the world - especially when they are as enchanting and as beautiful as Wethersfield Estate & Garden in Amenia, New York.
Wethersfield was the country home of philanthropist, conservationist, and banking heir, Chauncey Devereux Stillman. In 1937, he bought two abandoned farms where he designed and developed his estate and eventually expanded the property to its current size of approximately 1,000 acres. Situated at the top of a hill with breathtaking mountain views, the home and land includes a three-acre formal garden, a seven-acre wilderness garden, a working farm, a carriage house and museum, and miles of woodland trails for hiking and horseback riding. Over the weekend, I toured the gardens and attended a lecture on Wethersfield hosted by the Institute of Classical Architecture Art - a nonprofit organization dedicated to promoting and preserving the practice, understanding, and appreciation of classical design. Wethersfield Estate & Garden is described as the finest classical garden in the United States built in the second half of the 20th century - I do hope you take the opportunity to visit it someday.
Here are some photos, enjoy.
This is the historic front gate at Wethersfield Estate & Garden. The leaded urns are topped with camels from the Stillman Family crest.
Visitors to Wethersfield Garden are able to view the property map, showing the formal garden near the main house.
Wethersfield’s Director of Horticulture Toshi Yano greets guests and thanks everyone for attending the ICAA’s Bunny Mellon Symposium.
Here, a tall limestone urn in the distance marks the boundary between the working and designed landscape. One can see the Taconic mountain range beyond.
This is the Tempietto at the Belvedere. From here, one can see distant views of the Berkshires and the Catskills. It was important to Chauncey that the design of his stately Georgian-style colonial home include sweeping views of the area.
Here, weeping beech trees are pruned into columns to mark the four corners of the East Garden. Look closely, and one can see Fuchsias overflowing from the leaded urns.
Fuchsias were among Chauncey’s favorite flowering plants. Fuchsia is a genus of tropical perennial plants that produce exotic-looking, two-toned flower blossoms.
Here is another view inside the East Garden with its handsomely manicured hedges.
This statue shows Cupid riding a dolphin in a lovely niche of shale and bluestone. The wall doubles as a rock garden filled with alpine plants.
This is a limestone finial atop a brick column at the Cutting Garden.
This is the “Schooling Field” where Chauncey would train his Hackney horses for four-in-hand carriage driving. A field that also has sweeping mountain views.
This statue is of a panned piper on one side of an arch cut into an arborvitae hedge.
This is a very well-executed ha-ha – a “blind fence,” or a recessed landscape design element that creates a vertical barrier. In the distance one can see the slight change in color toward the end of the lawn marking a four foot drop meant to keep the livestock out of the garden.
The swimming pool at Wethersfield has been converted into a reflecting pool.
The curvature of the oval reflecting pool is echoed in the steps where masses of scented geraniums fill the air with perfume.
I admired the cherub with a finger to his lips. Toshi says it suggests to visitors that “silence is golden.”
This is a living rug in bluestone and turf grass. It marks the entrance to an arborvitae allée. The Naiad fountain at the very end is by Swedish sculptor Carl Milles.
Wethersfield is filled with unusual limestone and lead ornaments – this one also caught my eye.
Urns designed by Stanford White are filled with Artemisia mauiensis, or Maui wormwood – a perennial plant native to the island of Maui with mounding, soft silvery foliage.
It also looks so beautiful in this parterre.
This is the goldfish pool at Wethersfield’s Pine Terrace. The shale retaining walls in the garden are made of stones from the farm’s historic field walls.
Sweet autumn clematis, Clematis terniflora, flows over a fence with its white fragrant blooms. The hills of the Taconic range can be seen in the distance.
This stone step mounting block shows visitors entering or exiting that the owner had horses, and in this case, a collection of riding carriages.
And this is the west side of the main house at Wethersfield, beautifully maintained inside and out. The entire property is now managed by the Wethersfield Foundation. Go to the website at Wethersfield.org to learn more about this fabulous estate and garden.
This encore blog was originally posted on July 29, 2024.
Do you have a favorite classic neighborhood restaurant? One that's known for its delicious homemade dishes and traditional and relaxed décor?
I've been dining at New York City's Elio's for 35-years. In fact, it was where I had my first date after my divorce in 1989. Elio's is a charming old-world Italian establishment on east 84th Street that has been delighting loyal guests for decades since the late Elio Guaitolini and his business partner, Anne Isaak, first opened it in 1981. Recently, I shared a most pleasant and delicious business dinner at Elio's with dear friends - longtime publicist, Susan Magrino, and Kevin Sharkey, EVP Director of Design at Marquee Brands. Among the plates we enjoyed - Lasagne Bolognese, Soft Shell Crabs, and Beef Carpaccio with Salsa Verde.
Here are some photos, enjoy.
On this day, I was the first to arrive and took a seat at a corner table. It was a warm summer evening, so I ordered a refreshing iced tea and a martini. Thankfully, Susan and Kevin came in just a few minutes later – Kevin with his phone camera ready.
Often described as a neighborhood “clubhouse,” Elio’s is a classic old-fashioned Italian restaurant. Elio worked as a waiter at another well-known eatery, Elaine’s, before becoming a restaurateur. He opened Parma in 1977, and then Elio’s in 1981 with Anne, who previously worked as a sous chef at Chez Panisse.
Elio’s shows off a friendly atmosphere with both outdoor and indoor seating.
Here is the entrance to Elio’s, which has looked the same for decades.
Longtime bartender extraordinaire, Brian Drew, and all the staff greet guests with “buono sera” or good evening. Brian makes one of the best icy cold martinis.
The dining room is intimate with tables placed closely together. I took this photo before the busy dinner rush.
Here is my view from the corner table. The classic décor includes dark wood paneling, coffered ceilings, and old-fashioned light fixtures.
Here’s the cozy outdoor dining area as seen from the inside.
We started with mixed green salads and a light vinaigrette dressing. The greens are always so fresh and hand-selected every morning from local farmers.
This is Beef Carpaccio, an Italian appetizer of raw beef that’s thinly sliced and traditionally served with olive oil, lemon juice, capers, and onions. Elio’s serves it with salsa verde.
Waiter Manuel sprinkled just a bit of pepper on the Vitello Tonnato. This is another classic Italian dish of cold, thinly sliced veal covered in a creamy sauce. The dish originated in Piedmont, Italy, and is often served chilled or at room temperature during the summer.
Thanks Manuel. The wait staff is always so friendly – I just had to take a photo.
I had Lasagne Bolognese. It was so delicious, I decided to make my own lasagne a few days later for my crew at the farm.
Susan ordered Soft Shell Crabs Meunière.
And Kevin had Faroe Island Cold Poached Salmon with Cucumber Salad and Mayonnaise. We all cleaned our plates.
And here’s a photo of my perfect martini made by bartender Brian. If you’re ever in New York City and want a special and classic Italian meal, visit Elio’s. You won’t be disappointed. And maybe I’ll see you there.
My blog team is taking a brief summer break, so for the next week we'll be posting some of our favorite blogs from years past. This one was originally posted on July 24, 2024.
No plants give sweeter returns than fruit trees.
Fresh fruit is one of nature's most delicious products. My large orchard here at my farm has more than 200 fruit trees. I grow peaches, apples, pears, cherries, quinces, medlars, etc. Most of the fruits are not ready to pick, but many of the peaches are ripe and sweet. After harvesting several trays this week, I decided to make peach cobbler - one of those delicious summertime desserts one waits all year to enjoy. I used a cobbler recipe from Martha: The Cookbook: 100 Favorite Recipes, with Lessons and Stories from My Kitchen.
Here are some photos.
This is one of the season’s most anticipated harvests – my peaches. My peach trees are so productive – look at all these fruits, and there are still so many more on the trees.
When picking peaches, color is a great indicator of maturity. Peaches are ripe when the ground color of the fruit changes from green to completely yellow and the fruit is a bright red-orange.
If the peach is firm to the touch, it’s not ready. It’s ripe when there is some “give” as it is gently squeezed. Some could have used a little more time, but we wanted to get them before the squirrels.
Another indicator of ripeness is if the peach separates easily from the tree when pulled.
Peach tree leaves are oval-shaped and simple, with a length that is greater than the width. They are bold green in color, but turn yellow in the fall before falling.
After just minutes, we had all these peaches picked. I always use trays and place them in a single layer so they don’t get bruised.
Once the peaches are brought into my Winter House kitchen, they are pitted and sliced into wedges, and placed in a large stainless steel bowl.
Then they are sprinkled with one cup sugar and left in the fridge to macerate.
I added some blueberries picked from my bushes the same day.
While the oven was pre-heating to 375-degrees Fahrenheit, I buttered two baking dishes.
I prepared the filling – the fruits, sugar, cornstarch, lemon juice, and salt and transferred the mixture into the dish.
I decided to use a buttermilk biscuit topping, so I prepared my ingredients – flour, sugar, baking powder, baking soda, butter, and buttermilk.
I combined the dry ingredients and then added the buttermilk until a soft, sticky dough was formed.
I turned out the dough onto a lightly floured work surface.
Then I rolled it out until it was about an inch thick.
Using a floured 2 1/4-inch round biscuit cutter I cut out the biscuits.
To be efficient, when cutting out the biscuits, do it as close together as possible.
The biscuits are spaced evenly on top of the fruit.
I brushed the tops with some buttermilk and then sprinkled them with sanding sugar.
Here they are all ready to go into the oven. I made two, so the recipe was doubled. Cobblers, crisps, buckles, and crumbles are all fruit desserts that are similar but have different toppings and textures. Cobbler has a top crust made of biscuit or pie dough, and usually no bottom crust.
The cobblers are cooked until the biscuits are golden brown and the fruit is bubbling in the center of the dish – about an hour and 15-minutes.
Just perfect out of the oven. Once done, let it cool about a half hour before serving. This dish is for my hardworking crew. I know they’ll love it!
Order your copy of my landmark 100th book “Martha: The Cookbook: 100 Favorite Recipes, with Lessons and Stories from My Kitchen” today from Clarkson Potter. I am so proud of this book. I know you’ll read it cover to cover and want to make every recipe!
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